Title: AOUT
Material: BRONZE 6,5 FF
Size: 24 CM X 13 CM X 13 CM ,
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1990 - 92 E.A.1/4
About this art:
FRANÇOIS STAHLY, 1911 - 2006
Francois Stahly: The Renowned Sculptor
Introduction to Francois Stahly
Francois Stahly, an esteemed figure in the world of sculpture, was born in 1911 in Constance, Germany. Known for his organic and geometric creations, Stahly\\\\s works are characterized by their intricate designs, dynamic forms, and innovative use of materials. His sculptures often explore themes of nature, architecture, and abstraction, making his art both captivating and thought-provoking.
Early Life and Education
Francois Stahly grew up in a culturally rich environment that greatly influenced his early interest in art. He pursued formal education at the École des Beaux-Arts in Paris, where he studied under prominent artists and developed his unique style. His education played a crucial role in shaping his artistic vision and technique, allowing him to explore new forms and materials.
Influences and Inspirations
Stahly\\\\s work is heavily influenced by the natural world and modern architecture. He drew inspiration from the organic shapes found in nature and the structural elegance of contemporary buildings. Additionally, his travels and experiences across different cultures significantly impacted his artistic approach, driving him to experiment with organic and geometric forms.
Major Works and Exhibitions
Throughout his prolific career, Francois Stahly created numerous iconic sculptures that have been exhibited worldwide. Some of his most notable works include:
Forest: A monumental sculpture that showcases Stahly\\\\s mastery of organic forms and spatial dynamics. Stellar Group: An intricate sculpture inspired by celestial forms and geometric patterns. Woodland Myth: A powerful piece that blends natural elements with abstract forms, reflecting his deep connection to nature.
Stahly\\\\s works have been displayed in prestigious galleries and public spaces across Europe, Asia, and the Americas, earning him international acclaim. His exhibitions are known for their immersive and thought-provoking installations, often challenging viewers to perceive the world from new perspectives.
Recognition and Awards
Francois Stahly received numerous awards and accolades throughout his illustrious career. He was honored with the Grand Prize for Sculpture at the Venice Biennale and has been featured in major art biennales and festivals. His contributions to the field of sculpture have solidified his reputation as a leading artist of his generation.
Artistic Techniques and Materials
One of the defining features of Stahly\\\\s work is his innovative use of materials. He often combined traditional materials like wood and bronze with unconventional elements such as concrete and glass. This eclectic approach allowed him to create sculptures that are rich in texture and detail, while also pushing the boundaries of conventional sculpture.
Process and Methodology
Stahly\\\\s creative process was meticulous and exploratory. He began with extensive sketching and modeling, often drawing inspiration from his observations of nature and architectural structures. Once he had a clear vision, he employed a variety of techniques such as carving, casting, and assembling to bring his sculptures to life. Each piece was crafted with precision and care, ensuring that it embodied the intended emotion and concept.
Francois Stahly\\\\s Legacy
Francois Stahly passed away in 2006, but his artistic legacy continues to inspire. His sculptures are admired for their innovative use of materials and their striking aesthetic. Stahly\\\\s works are part of many esteemed collections and continue to influence contemporary artists and sculptors.
Francois Stahly Sculptures for Sale
For those interested in acquiring a piece of Francois Stahly\\\\s remarkable art, his sculptures are available for purchase at Prosopo Gallery. This gallery offers a curated selection of his works, providing art collectors and enthusiasts with the chance to own a piece of his enduring legacy.
Contact Prosopo Art Gallery
If you wish to learn more about the sculptures of Francois Stahly or make a purchase, please contact Prosopo Art Gallery:
Prosopo Art Gallery
Oia 84-702 Louka Nomikou
Santorini, Greece
Tel: +30 2286028881
M: +30 6980058707, +30 6970127771
Email: prosopo@prosopo.art
Conclusion
Francois Stahly remains a significant figure in the field of sculpture, with his organic and geometric works continuing to inspire and captivate audiences. For those looking to explore or acquire his works, Prosopo Gallery offers a comprehensive collection of his sculptures. Stahly\\\\s contributions to modern art are celebrated and remembered, ensuring his place in the annals of art history.
François Stahly was born in Constance, Germany in 1911, and grew up in neighboring Switzerland. He attended the Art Academy in Zurich, but, desiring to go beyond the formalism of Bauhaus principles that were taught there, decided in 1931 to continue his studies in Paris at the atelier of Charles Malfray at the Académie Ranson, where he encountered a fertile artistic climate. He befriended the sculptor Etienne-Martin, married in 1934 Claude Favre and in 1936 joined a group of young artists called Témoignage (Witness). Adrift during the war, Stahly lost all of his work prior to 1940. He reconnected with his friend Etienne –Martin in a spirit of mutual exchange and the two collaborated on various projects that helped them through the difficult post-war years.
In 1949 Stahly settled in Meudon. Soon he developed a personal idiom with forms reminiscent of tree roots. ‘The root’, art critic Pierre Descargues notes, ‘does not grow in an environment which encourages its untrammelled growth (…)[it] is confronted by the weight of the soil which slows down, deviates and, from small distortions to major deviations, resembles the difficult environment of creation.’ From the baroque, aquatic roots that celebrate the sensuality of the vegetal world, eventually another direction in Stahly’s work emerged in which simple, basic forms were grouped together in monumental compositions.
Stahly showed his work in prestigious galleries (such as Galerie Darthea Speyer), but, uncomfortable with the role of commerce in art choose not to be linked with any gallery in particular. Instead he focused on creating monumental sculptures for public places. While trying to avoid the pitfalls of working on commission, Stahly set out to assert an independent place for sculpture in an architectural setting and introduced the idea of fluidity and movement to sculptures related to architecture. In the sixties and early seventies he completed a series of major sculptural pieces on commission, both in the United States and Europe, such as Le Labyrinthe at the University of Jussieu, L’Eté de la Foret at the estate of Nelson Rockefeller in Tarrytown, N.Y. and the Jardin-Labyrinthe at the Empire State Plaza in Albany, N.Y.
In 1960 Stahly temporarily settled in the United States to teach at the University of Berkeley in California and at Washington University in Seattle, followed by an art residency at Stanford University in 1964-65. This allowed him to experiment with teamwork and draw into question the axiom that artistic expression is intrinsically individual. He considered true art to be universal, so what better way to tap into this professed universality than to work collectively. Idealistic by nature, he founded upon his return to France a collective workshop in Crestet (Vaucluse). After an interlude following his wife’s death in 1973 Stahly got back on track in 1975 when he remarried the sculptress Parvine Curie. Together they turned Crestet once more into a place of apprenticeship until it was finally sold to Ministry of Culture in 1985 and turned into a Contemporary Art Centre. After that Stahly and Curie settled permanently in Meudon while traveling extensively. Stahly worked until 1996. During the last decade of his career he made personal work: drawings as well as small and medium sized sculptures. He died in 2006.
Stahly received various awards and distinctions, notably the Gold Medal of the Milan Triennial (1953), the Prize of the Sao Paolo Biennale (1957), the Grand Prize of the Biennale of Tokyo (1965), the Grand Prix des Beaux-Arts de la Ville de Paris (1972) and the Grand Prix National de la Sculpture (1979). In 1992 he was elected member of the Académie des Beaux-Arts.
His work is included in many important private and public collections, such as Tate Gallery in London, the Museum of Modern Art in Tokyo, the National Museum of Modern Art in Paris, and the Museum of Art and History in Meudon.
